Monday, February 13, 2017
Olympus' OM-D E-M1 has been one of our favorite mirrorless cameras since its introduction in 2013. It impressed us with its build quality, image quality, ridiculous amount of manual control (that's a compliment) and boatload of features. Three years later, it's still very competitive.
To say that Olympus has outdone itself with the E-M1 Mark II is an understatement. The company told us that this camera was overdeveloped, and it shows. Its blazing dual quad-core processors allow for 60 fps burst shooting (18 fps w/continuous autofocus) and ridiculously fast image playback. Combine that with one of the most advanced autofocus systems we've seen and 5-axis in-body image stabilization – along with what made the original so impressive – and the Mark II is a force to be reckoned with.
One thing about the Mark II that makes us pause is its price. While its MSRP of $2000 is equal to that of Nikon's D500 and full-frame D750 (though, at time of publication, they are selling for $1800), the Mark II's Four Thirds sensor is small in comparison to the D500 and other APS-C cameras and tiny versus full-framers.
- 20MP Live MOS sensor
- 5-axis in-body image stabilization system
- 121-pt hybrid AF system
- 60 fps burst shooting (18 fps with continuous AF)
- Fully articulating 3" LCD display
- High-res electronic viewfinder
- Cinema (DCI) and UHD 4K video
- 50MP High-Res Shot mode
- Weather-sealed body
- USB 3 (Type-C)
Read on, to find out.
The Sigma 85mm F1.4 Art hasn't been on the market long, but it has already begun to make some serious waves. Lenstip and DxO have rated it the sharpest 85mm lens ever created, beating out even the legendary 85mm F1.4 Zeiss Otus, which isn't something that we take lightly. We were lucky enough to get our hands on the lens back in mid-November and we were very impressed to say the least, so much so that it took top honors for the 'Best Prime Lens of 2016' as chosen by our staff.
It has, without a doubt, been a pretty big topic of discussion not only amongst our staff members, but also amongst portrait photographers around the world. With that said we just had to get our hands on it to see how it really performs and to see how it holds up next to some very stiff competition at 85mm. The Sony FE 85mm F1.4 GM is a very formidable competitor and arguably the best modern 85mm F1.4 on the market (behind the manual focus Zeiss Otus, of course). With that in mind, the question is; can the Sigma hold its own? Our review will answer that question and more.
With an equivalent focal length of 136mm and an equivalent aperture of F2.2, this lens can be used on an APS-C camera. Even with its slightly longer focal length, it does still fit into the focal range that's often used by portrait photographers and the fast aperture does allow for it to be used in low-light situations as well. However, its size, weight and price makes it worth considering 85mm F1.8 lenses instead.
Sigma 85mm F1.4 DG HSM Art headline features
- F1.4 maximum aperture
- 85mm max fixed focal range
- 2 SLD glass elements
- 1 aspherical element
- Canon EF, Nikon (FX) and Sigma SA Bayonet mounts
|Sony FE 85mm F1.4 GM||Sigma 85mm F1.4 DG HSM Art|
|Lens Mount||Sony FE||Canon EF, Nikon (FX), Sigma SA Bayonet|
|Aperture Ring||Yes (w/ d-click feature)||No|
|Minimum Focus||0.80 m (31.5″)||0.85 m (33.46″)|
|Special Elements/Coatings||1 'Extreme Aspherical' element, 3 ED elements and 'Nano AR' coating||2 SLD glass elements and 1 Aspherical element|
|Motor Type||Ring-type Supersonic Wave||Ring-type Hypersonic|
|Full Time Manual||Yes||Yes|
|Full Weather Sealing||Yes||No (dust and splash proof)|
|Weight||820g (1.81 lb)||1131g (2.49 lb)|
|Dimensions||108 mm (4.23″) x 90mm (3.52″)||126mm (5.0") x 95mm (3.7")|
|Hood||Yes ( ALC-SH142)||Yes|
As you can see the lenses are fairly different in terms of build and design. The Sony 85mm has a manual aperture ring that can not only function on its own, but the aperture can also be adjusted with the camera by switching the ring to 'A'. This ring also features a special de-click feature for smooth, silent aperture changes while shooting video. The Sigma 85mm lacks the weather sealing that the Sony has and there's also a fairly substantial difference in size and weight as the Sony 85mm is a fair bit smaller and lighter. The price point is one area of the where the Sigma really prevails over the Sony, on paper, at least.
Specifications are fun to look at, but the real question is how do these lenses perform?
Read on, to find out.